Ricardo Pereira
 
When we go for a run or we decide to do some kind of exercise, we always start by warming up some of the most important muscles in our body, for the activity we are about to perform. Singing is exactly the same thing as exercising, therefore an effective warming up routine is required for a better performance.

It is essential for a singer to prepare his body and mind to the task of singing. The vocal chords, used for singing, are muscles and we should try to preserve them and avoid injuries. In the act of warming up, not only should we warm up the vocal chords, but also the muscles in other areas of our body that are involved in the act of singing such as shoulders, neck, jaw, tongue and lips. The muscles in these areas should feel free and loose. In the act of breathing for singing, other muscles are used such as the pelvis, belly and abdominal muscles.

In order to “wake up” your body and make you feel energized, a good idea is to run on the spot for about one minute. This exercise will make the blood flow through your body and as the airflow increases when you breathe, the oral cavity will naturally open.

Once you have run on the spot or have done some exercise with a similar effect, it is important to warm-up your shoulders by rolling them back and forth. So that you loosen your shoulder muscles you can move your shoulders up and drop them for a few times. Shaking other parts of your body such as your arms and legs will also help you feel more relaxed.

After you have performed these exercises, it is important to slow down and gain control of the circle of your breath. This will help you relaxing the pelvis and abdominal muscles.  While you take control of your breathing, you can start warming up your jaw. A good way to do this is by massaging the muscles in your face. In order to loosen and freeing your jaw there are a few exercises you can do (please watch the video).  http://www.youtube.com/watch?v=R2V3ha2WD0o
A good exercise to warm up your lips is lip rolls (Please watch the following video about lip rolls). http://www.youtube.com/watch?v=7lR2S1G-g0c

Finally, we can warm-up the vocal chords. A good way to start doing this is by humming triads and gradually going higher in pitch. Performing some descending or ascending scales is also a good exercise, or taking a pattern of notes from a song we are going to sing or practice.

Once we have done our warm up we are ready to start singing. Warming up the voice before singing is vital to protect the singer’s voice, preserve it and avoid severe injuries. Vocal warm-ups also help obtaining a better vocal timbre.


 
Networking is one of the most important things in the music industry. Although everyone says it is about the music, most of the times it is about who you know and how many people know you and your work.

As I mentioned in previous posts, I started my own band, Skinny Rhino. We rehearsed a thirty minute set and we got to the point that all we needed to do was starting to get some gigs and create a fan base. We decided to create an email with the name of the band and create our social media pages. We created a YouTube channel, Reverb Nation page, Facebook page, MySpace page, Band Camp, Sound Cloud and Twitter account. It is important to have a strong online presence, however it is extremely difficult to keep everything up to date. I felt like I didn’t have time to keep on top of everything and although you can synchronize some of those pages with Reverb Nation I still couldn’t find time to do it.

I decided to have a look at my days and the time I had free to do some work. The two hours I spend on the bus would be enough to do some of this tasks and get in touch with some venues and promoters. In December I met a promoter in a night out who gave us a slot in the event he organises - We Luv Musik, at the Voodoo Rooms. Since then, we have been trying to get some more gigs but I suppose you need to send five or six emails to get a positive answer.

Last week I bought a smartphone so that I could send emails on the bus and update some of our social media pages. In this short period I have already managed to get us gigs at “Pivo Pivo” and “the Box” in Glasgow and we got offered a slot at Whistlebinkies, in Edinburgh.

I have been speaking with people in other bands that are already gigging and they have given me some contacts of a few promoters. I have also looked online for some and I have a list of promoters that I need to get in touch with. One of the promoters I contacted gave us a slot in Maggie Mays, in Glasgow, but we had to sell twenty tickets, which is not ideal for a band based in Edinburgh. We also had a promoter that promised to offer us some gigs if we used their rehearsing space. We have rejected these last two “offers” as we can’t afford paying to play, and I think we shouldn’t.

We have recently auditioned for Live and Unsigned. We got through to the Regional Finals and we were given a review that we can use to promote ourselves. On the 31st of March we’ll play for a place in the Area Finals. 


We are currently working with Martin Merenyi on our EP. We met Martin at Stevenson College and asked him if he would like to produce our music and record it. He said that he would love to work with us which was great. I also got a contact from a photographer that studies at Stevenson and we have a photo shoot booked for the end of March. We have two other people in mind to record us a video for a song with whom we have been in conversations. 

In the near future we would like to play in King Tut’s as it is a good place for unsigned bands but we won’t reject any gigs in Edinburgh, Glasgow or other places around Scotland.